HENRY H. PARKER (1858-1930)    Nature's Mirror Henry H. Parker was a British artist working at the end of the Victorian Era. It is believed that he was born in London and was based there for most of his life. Like many of his contemporaries, he concentrated on painting "pure" landscapes - a genre that he mastered early in his career. His landscapes are lush and tranquil, frequently featuring a loan figure in a boat or walking down a country path. The scenes are often sunny and bright and the waters are calm and soothing. His style shows a great influence by the Impressionists, through his use of bright colors and quick brush strokes, but a definite understanding of the Academic principals is also displayed. This style of painting was very typical for the late Victorian landscape artists who strove to incorporate the new Impressionist techniques in their more traditional paintings. His landscapes and skies were created with a free, but controlled, application of paint while the watery areas of his work were handled in the more traditional way - using glazes to create depth and reflections. His paintings are well composed, beautifully balanced and capture the landscape in its most pure and natural state. This colorful and free look was a welcome relief to the traditional Victorian landscapes of the previous decades and this, coupled with Parker's choice of subject matter, brought him great success. His favorite locales were in Surrey, Kent and Wales - especially views on the Thames - and he would often sign and title his works, with their exact location, on the reverse. While there are not definite records to prove this, his work shows great similarity in both technical and subject matter to that of Benjamin Williams Leader (1831-1923); if he was not a student of Leader's, he definitely studied his works. Of final note, it is very interesting that Parker was one of only a handful of artists, of his caliber, to never exhibit at the major exhibition halls in England during his lifetime.  The works illustrated in this exhibition are excellent examples of the artist's most desirable subject matter - beautiful, rustic landscapes executed with impressionistic brush strokes and color.  This essay is copyrighted by Rehs Galleries, Inc. and may not be reproduced or transmitted without written permission from Rehs Galleries, Inc.   Please remember that all works illustrated below have been SOLD. Click on any image to enlarge it and see more information about the work Henry H. Parker (1858 - 1930) By the Mill Oil on canvas 24 x 36 inches Signed   Henry H. Parker (1858 - 1930) At Betchworth, Surrey Acrylic on canvas 12 x 18 inches Signed, also signed and titled on the reverse Henry H. Parker (1858 - 1930) The River Mole, Dorking Surrey Oil on canvas 12 x 18 inches Signed, also signed and titled on the reverse   Henry H. Parker (1858 - 1930) A Berkshire Homestead Oil on canvas 30 x 25 inches Signed, also signed and titled on the reverse   Henry H. Parker (1858 - 1930) Sleeping Waters, The River Wey Oil on canvas 24 x 36 inches Signed, also signed and titled on the reverse Henry H. Parker (1858 - 1930) The River Loddon, Near Basing, Hants Oil on canvas 18 x 26 inches Signed, also signed and titled on the reverse   Henry H. Parker (1858 - 1930) Harvesting Oil on canvas 24 x 40 inches Signed   Henry H. Parker (1858 - 1930) Nature's Mirror, on the Banks of the Thames Oil on canvas 24 x 36 inches Signed, also signed and titled on the reverse Henry H. Parker (1858 - 1930) The Mole, Dorking, Surrey Oil on canvas 24 x 36 inches Signed, also signed and titled on the reverse   Henry H. Parker (1858 - 1930) Dunkheld & Birnam from Craigibarns Oil on canvas 20 x 15 inches Signed, also signed and titled on the reverse